Sport History & Songs
Australians are ‘sports crazy’ and ‘gambling mad’. One possible reason for our national obsession with the bat, ball, pool and net is that, as a nation, we had to create our own myths. Unlike older cultures, we had no epic stories of ancient wars, no mysterious legends or even fantasy stories of ghosts, dragons or other supernatural beings, so we created heroes out of sportsmen and ordinary Australians. Our first real celebrities were oarsmen, fisticuff fighters, explorers, racehorses, jockeys, footballers, cricketers, shearers and horse-riders. A twenty-first-century list of notable Australians would likely offer a similar gathering.
Any collection of Australian sporting songs would include the obvious like ‘Our Don Bradman’ and ‘Up There Cazaly’. However, this section shows how songs about sport, like songs about shearing, politicians, dancing, droving etc., can also be linked to the folk tradition. In truth, the average singer of yesterday, especially those we would describe as ‘traditional’ or ‘folk singers’, that is, those people who have learnt their songs primarily from oral transmission, were unpredictable in their choice of repertoire. A football song alongside a bushranger ballad would be considered fair play.
The songs about boxing are a classic example. Boxing has a long and noble history in Australia, including fights arranged in our convict barracks, in goldrush tent cities, at the rear of the outback shearing shed and in the barracks of Australians at war. It was an inexpensive ‘sport’ that required little more than two game men and an even gamer referee. These were often bloody events with what has become known as ‘Rafferty’s Rules’ – where very few rules apply. They were also an opportunity for gambling and, linked arm-in-arm with Australian sport, went gambling. The punters were also encouraged by the news of epic international bouts, especially the great battle between Thomas Sayers and John ‘The Benicia Boy’ Heenan, in 1860. There are three other boxing songs in this collection. Horseracing, often referred to as the ‘King of All Sports’ is also well represented to remind us of our country’s strong attachment to the horse as a fellow labourer and journeyman. We have the tale of the bushman visiting the city and losing all his hard-earned savings at the Randwick Races, and songs lamenting the passing of legendary riders Willie Stone and Tommy Corrigan. There’s also Banjo Paterson’s wonderful ‘Man From Snowy River’, a story that belongs in the annals of sporting greatness. Henry Lawson is represented here too but with an early poem about a ‘competition’ between a bushman and a city larrikin who circle each other just as well as any boxer in the ring.
SPORT CRAZY AND GAMBLING MAD
It has been said that Australians are ‘sports crazy’.
This section has songs, stories, jokes and lore associated with sport.
It has been said that Australians are sport crazy and gambling mad and it’s a good bet that their money is right on the nose!
Why is it that some countries get a reputation for national obsessions? Australia’s reputation for playing and watching sport goes back a long way and has a lot to do with our peculiar colonial birth. Unlike Europe, and Britain in particular, we had to create our own mythology and we did it in our own unique way. Since we had no epic white history: no dragon-slaying knights, no great battles, no fairyland hierarchy, no monarchy, no swashbuckling pirates, bold seafaring explorers or, dare I say it, no great minds, we had no choice other than to create our own Antipodean super-heroes. We looked in unusual places making heroes out of bushrangers like the famed ‘wild colonial boy’, mythical shearers like ‘Crooked Mick of the Speewah’ and just about anyone who excelled in sport be they man, woman or animal.
Our first sporting champions were oarsmen, closely followed by cricketers and boxers. The truth is we were good at all three and in winning we saw ourselves as both independent and part of the world stage. We took a certain pride in being ‘colonials’ and especially when we defeated the ‘stirlings’ of Mother England. One suspects that some things never change!
Bill Beach was our first international sporting star and was affectionately referred to as ‘Our Bill’. When the oarsman returned to Sydney with the world cup more than half the population of the colony turned up along the banks of the Nepean River to see him make his victory lap. Like many early sportsmen his deeds were celebrated in hoopla and song
Australia has had a long love affair with cricket and the names of Spopoff, Fingleton, Trumper and, of course, ‘our Don Bradman’ are etched into our folklore.
I am reminded of the old squatter who staged an annual cricket match up in the backblocks. His team of his shearers, drovers, rouseabouts and layabouts was scheduled to play the townies and this was one match he definitely wanted to win. The old bloke was going away for a couple of weeks and before he left he gave strict instructions to his ‘captain’, who was also his best boundary rider, “to buy the team brand new uniforms and gear”. On the day of the match the old bloke was flabberghasted to see the team roll up in their ordinary working clothes. “What the hell’s going on here?” he blurted, “we’ve got no bloody chance of winning now.” The ‘captain’ looked at the boss and whispered “we’ll win, don’t you worry about that”. “But what about the money I gave you for the new uniforms and gear?” continued the irate squatter. “We gave it to the umpire” responded the boundary rider with a sly smile.
One can imagine that the rough and tumble Australian heritage would result in strong-armed men and that boxing would be a popular sport if only as a way of letting off steam. Early Australians even spread the word about ‘boxing kangaroos’ although no one actually admitted to seeing the Gidgee fight of 1863 the Big Red supposedly won on a technicality. The first fights were bare-fisted and bloody and the ‘battle’ between Sandy Ross and Evans in 1871 has gone down in our history as a notorious fight. It took place on the flats of the George’s River in Sydney’s south. A boxer surrounded by folklore is Les Darcy who achieved international bantamweight status and met an early and untimely death in America in 1917. His demise was viewed as a national disaster and stories circulated about ‘Our Les’ ‘dying of a broken heart’ and even being poisoned by the jealous Americans. In truth he died from a complication of pneumonia however folklore has little regard for facts. Oddly enough it was also believed that Phar Lap, a mighty race horse if ever there was one, also died of a broken heart.
In creating national heroes it appears racehorses were right up there. Phar Lap has been joined by the Goondiwindi Grey, Mussellman, Silvermine and Octagonal in being described as having supernatural powers. Although some were celebrated in song it was those ‘galloping rhymes’ where the super horses shone. Banjo Paterson’s ‘Man From Snowy River’ certainly sent the flintstones flying.
As most Australians know the racetrack has created a massive folklore and even its own slanguage with track-goers being overheard saying things like ‘that horse ran so wide it knocked a pie out of the mouth of a man in the member’s stand’ or ‘I’m so hungry I could eat a horse and chase the jockey’.
Australian sport is also usually tied to gambling and it’s been said that Aussies will even bet on two flies on a pub wall to see which one flies off first. They describe big gamblers as ‘high rollers’ who would ‘bet on anything that moved’.
George Fahey sings ‘I’m Forever Playing Two-Up’, a parody he learnt in WW2 in Papua New Guinea.
If there was one dinkum Australian game it would have to be ‘two-up’. Whilst its origins are unclear one suspects it started in the trenches of the first world war. A simple betting game ‘two-up’ involves flicking two pennies to a matching heads or tails and has been described as ‘the fairest game in the world’. The exception to this rule would be when the spruiker slips in a two-headed penny! ‘Two-up’ is illegal except on Anzac Day when ‘schools’ miraculously appear across the country without the need to hire a ‘cocky’ to look out for the police.
(An old parody of ‘I’m Forever Blowing Bubbles‘ runs):
I’m forever playing two-up, tossing pennies in the air, They fly so high, nearly touch the sky, When they turn heads I nearly cry, Coppers always hiding, hiding everywhere, I’m forever playing two-up, tossing pennies in the air. |
Tennis also provided a national platform for our sport’s fanatics and we held the Davis Cup for so many years we considered ourselves unbeatable. Pat Rafter and Pat Cash have recently restored our faith although many Australians believe all those tennis cups rightfully belong to us all of the time.
We’re still creating myths around our champions and to hear a mob of Australians talking about Ian ‘torpedo’ Thorpe would make you think he was part seal, part man. Sydney Swans captain, Kelly, has been described as a God and runner, Cathy Freeman, makes us all feel proud about our indigenous atheletes. Then there’s the ‘iron men’ who tell us what we should eat for breakfast. There’s little doubt that sport is the Australian religion and, like most religions, we believe what we are fed be it tasty or unpalatable.
CRICKET
Recorded in 1934, Pat Hanna’s droll monologues were Australian and New Zealand radio favourites.
CRICKET Oh, the men of Australia came back from the East Their points were all made and their honours increased And they rode into Frisco to play the last match And the plucky Franciscans came up to scratch And out on the ground when the wickets were set And the spectators by and the champions met Spirit of Purdy and Aitkin, Cross and Malone The Australians soon showed them that the game was their own For Spofforth and Bannerman, Bailey and Boyler Took warren and Brandon and made them their spoil The batting was splendid with score after score The plucky Franciscans don’t want any more And the men of Australia will sail to the south And the players they beat will be down in the mouth The English, the Yankees, the Blue Noses all Before the Australians stood up to fall. Source: From The Aust Journal. 1879 |
CRICKET Rain, rain go away Come again before next may The driving shower and chilling raw gust Are most opportune in August Rain has a chance to reign remember Till early summer from September Why come and spoil crickets last pages Our wickets and our average. Source: From Mr Punch’s Book of Sport. Circa 1870s |
THE CRICKETER’S SONG The season is coming, when merrily humming, Again to the pleasant Domain we will stray, With our bats and our wickets, as merry as crickets, Together our cricketing matches to play. The ground they are rolling, and soon to the bowling Of Caffyn or Lawrence we’ll gallantly play; Tipping and slashing, and cutting and dashing, For a run when the ball we send spinning away. Chaffing and laughing, the cool beer quaffing Under the tent as we watch the field play; Cheering and roaring, as rapidly scoring, Our men at the wickets are slashing away. Pluckily fielding, no chance ever yielding, Stopping each ball let it come as it may; Catching, or running like deer when a stunning Hit sends a ” three,” or a ” fourer ” away. Puffing and blowing, howe’er the game’s going, Every man knowing his best he must play; As brothers contending, and as brothers ending, N0 matter who wins, or who loses the day. The season is coming, when merrily humming-, Once more our cricketing matches we’ll play, “With .our bats and our wickets, as merry ail crickets, Hurrah for our opening cricketing day. SOURCE: Sydney Punch OCTOBER 7, 1865. Air: The Flowers of the Forest |
![Australian Eleven](http://www.warrenfahey.com.au/wp-content/uploads/2014/10/cricket_1.jpg)
THE AUSTRALIAN ELEVEN When the first All England’s Elevens Came over it gave us the blues— For our cricket was that of beginners, And we shivered and shook in our shoes; But after a time things were altered. For we suddenly found that our soil Boasted Blackhams and Murdochs, and Spofforths, Turner, Lyons, a Giffen and Boyle, A Horan and Trumble, big Bonnor, Jarvis, Allan, besides many more. Yes, it suddenly dawned on the English All their one-sided victories were o’er. Yes, it suddenly, etc. We put forth an Australian Eleven “Merrie England” to meet face lo face. And the eyes of the whole world were opened, For no longer we trembled at Grace. We pasted the best English bowling, We laughed at the Englishman Jupp In his frantic endeavours to stump us— And in scoring we put records up. The Englishmen found us their equals With bat, ball, or out in the field; And the cry then went up that Australia Had eleven that never would yield. And the cry then went up, etc. How we gallantly fight up-hill battles, In a style the true sportsmen admire; How the Englishmen’s wickets we rattle, Pulling matches from out of the fire – Are items known all the world over That have won us an undying fame, For we’ve shown on the grounds of Old England That we’ve no ‘little kids’ at the game – We have shown that the ashes they talk of, Ere for good they are buried away, Have in us here the staunchest of champions, For Australia, she wil have er say. Have in us here, etc. Then a cheer for Australia’s Eleven; Hurrah! for the plucky young men Who have beared so often and often The Lion himself in his den; And hurrah for the teams of Old England, But, before all, the loved Sunny South. Success then to both the Elevens, May our love for each other ne’er cease – May we have in the whole of our battles Prosperity, friendship, and peace. May we have, etc. SOURCE:AUSTRALIAN MELODIST NO 21 Pat Finn |
Sporting songs have always been popular in Australia and especially songs about cricket.
CRICKET SONG Of all the games for field or home, There’s none like that we call our own, No sound so sweet, on summer’s day, As the umpire’s well-known call of ” play,” So take your block and. guard your stumps, Regardless of the coming bumps, And stand up firm to guard your wicket, And play the manly game of cricket. Look out boys, one and all, While we pass around the ball, Ha, ha, ha, there’s a run, Cricket is the game for fun. A shooter first is hardly fair— “Well played —— I do declare ; He’s snicked it and they steal a run, The ice is broken, ah, what fun! If —— only stands first “over;” Hurrah, a splendid hit to cover ; Now four to leg, boys, that’s the ticket— “What a glorious game is cricket! But now I must curtail my song, To tell of all would take too long— ‘Twould need a column in the Mail To give a match in full detail— Of slows and fasts and treacherous ones, How —— stole his little runs, How Butterfingers dropped a catch, And very nearly lost the match. All the words I have seem tame, To ring the glories of this game ; Now, if you doubt me, come and. try, And you will find the same as I; So don your flannels and take your bat, When next we meet upon the flat, I’m sure you’ll fall in love with cricket, And rush away to get a ticket. SOURCE:Australian Melodist Songster Words by J. E. JAMES Air: Little Brown Jug |
BOXERS ARE SUPERSTITOUS
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Boxers are very superstitious. Jerry Sullivan and Johnny Summers crossed themselves in the ring, Herb McCoy had an old pair of trunks with some emblem sewn inside them, George Taylor used always to enter the ring with his father’s old Crimea shirt on, while Harry Stone always insisted on wearing a cap when he walked into the ring. The latest Yank, Ancel Bell, has a lucky bag, which he wears around his neck. Cross-eyed people are their pet aversions. I remember a fight between two champions, and during the progress of the bout on eof them lost heart and eventually quit. When asked what made him turn it up he said: “I knew I had no chance as soon as I saw Tommy Jones in Mehegan’s corner.” (Tommy Jones had a decided squint).
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Bob Fitzsimmons had a little superstition in his make-up. Before every fight Bob went to some blacksmith shop and a made a horseshoe. He made one just before he fought O’Brien in America – the fight in which he lost his championship title. While Bob was on the road one of his trainers took the horseshoe and nailed it over the door of the training quarters “for luck.” When Bob came in he was furious. The horseshow had been nailed with the ends down! “The luck has all spilled out, ” said Bob furiously, and rushed away to make another horseshoe. No doubt Fitzsimmons’ defeat by O’Brien was caused by the fact that he ad become too old to fight, and nature had given out, for he collapsed between rounds. But you couldn’t convince him of that. “I’m as good as ever I was,” Fitz said a moth afterwards. “I’d like to lay my hands on the fellow who nailed up that horseshoe.”
The Railroad Issue 1928/29
BOXING, WRESTLING AND STRONGMEN
One of the most important boxing matches of all time, and certainly the first one referred to as the ‘match of the century’, was the epic ‘battle’ between Heenan and Sayers in 1862. It was the fight that introduced Queensbury’s Rules.
In 1973, when tape-recording Joe Watson at his Caringbah home, the sprightly 92-year-old enthusiastically talked to Warren Fahey about boxing. Considered by many to be a poor man’s sport because it didn’t require much more than a designated ring, (often pegged on grass), fighters and a referee. Boxing was not unsurprisingly popular in the 1850s and 60s goldfields. One of T. S. Gill’s colour drawing depicts a tent boxing ring at Bendigo. Whilst some goldfields fights would probably have been grudge matches, most were an opportunity for gambling. In many cases, nationalities, Brits and Irish etc were pitted against each other for added excitement. The early fights were gruesome bare-fisted fights. Joe Watson recalled two boxing ballads – Morrissey and the Russian, including the line ‘the blood did flow like claret’, and the equally great ballad ‘Heenan and Sayer’. The latter was the last fisticuffs fight before the introduction of Queensbury Rules.
Warren Fahey sings ‘Heenan and Sayers’.
In 2013 the Music Master at Sydney’s Cranbrook College approached Warren Fahey for suggestions for a song the students could arrange and perform. Warren suggested ‘Heenan & Sayers’. The resulting song didn’t much resemble the old ballad, however, considering the brief, the interpretation was fresh and definitely carried the excitement of the match.
Another famous fist cuff ‘battle’ took place on the George’s River, Sydney, and is also commemorated with a song. John Foley (Eire) versus Sandy Ross (Ulster). In this case the opponents were Irish – one from the south, the ‘green’, and the other from the north, ‘the ‘orange’.
Warren Fahey sings ‘The Orange And The Green’ (aka ‘The Fight on George’s River’
![LES DARCY](http://www.warrenfahey.com.au/wp-content/uploads/2014/10/les_darcy.jpg)
BURNS AND SQUIRE FIGHT Tommy Burns will soon be in Australia Although our Bill Squires was a failure He may put Burns to sleep On his native dirt heap And collar the champion regalia Fol de lol lol, Fol de lol lol, Fol de lol lol de lol laddy On the tram cars the men are hard working And seldom their duties are shirking And they think it’s a shame But who is to blame The police as spies round are lurking? source: Imperial songster 1908 |
SQUIRES VERSUS BURNS We’ll shortly see a battle Twixt Squires and Tommy Burns And the man that comes out on top The championship he earns Tho Tommy we will welcome And shake him by the hand We trust the title will remain In our dear old sunny land Hurrah for plain Bill Squires The hero of the ring From England to Australia His praises we will sing The noblest gladiator Who tried in every fray Three cheers for plain Bill Squires He’s the gamest man today. source:Imperial Songster 1908. Anon. |
Warren Fahey sings ‘Les Darcy’
LES DARCY We all get a craving to roam Far from home over the foam We long other lands for to see And the thought fills our hearts with glee An Australian lad we knew so well Was sent home to add to his name Which was covered with glory You all know the story Fairer one ne’er played the game And that was young Les Darcy Whom we all know was so ill-advised When the sad news reached us How the tears bedimmed our eyes It was his great ambition To fight at the Golden Gate But the voice that called him from us Proved to be the sad bells of fate Picture his loved ones at home How they mourn now he has gone So modest and thoughtful was he A better son ne’er could be The world is the poorer today By the loss of this champion so fine True hearts will regret him And none will forget him Memories laurel wreath ever will twine source: Music hall song. Published Imperial Songster 1917 |
The chorus of ‘Christening The Baby’ mentions all the famous boxers of the period. By Ernest Chappell and specially written in consideration of the Burns/Johnson fight. Brad Tate collected a version of this song in Newcastle. Alex Hood also collected a version. The song itslef is a parody of ‘The Baby’s Name’ – a song about Kitchener.
CHRISTENING THE BABY Since boxing has become the craze I’m fairly off my dot For everybody’s talking fight, I wish they all were shot It’s Tommy Burns and Johnson no matter where you go For it’s the only subject that people seem to know There’s Tomkins, he’s my pal, he’s got it on the brain He’ll argue fight from morn till night and drive you near insane His wife he took the baby to be christened yesterday When the parson said “What’s its name?” I then heard the old girl say The baby’s name is Sullivan, Felix, Foley, Jackson and Roche Squires and Thompson, Burns and Johnson Robert Fitzsimmons and Battling Nelson Bill Lang, Bob Quigley, Slavin and Victor the Chief Hefferty Tim, Jefferies, Jim Griffo and Paddy O’Keefe Now my old woman’s just as bad, she’s got the boxing craze And just to show what she can do on my right optic gaze She bought a book on boxing and she practises on me She knocked me out for three last night while we were having tea And just because I came home late and up the stairs did creep She landed me an uppercut and sent me off to sleep And last week when we went to church to have our kiddie named The Parson nearly took a fit when my old girl exclaimed Squires and Thompson, Burns and Johnson Robert Fitzsimmons and Battling Nelson Bill Lang, Bob Quigley, Slavin and Victor the Chief Hefferty Tim, Jefferies, Jim Griffo and Paddy O’Keefe source: 1909 Imperial Songster no 87. By Ernest Chappell and especially written in consideration of the Burns/Johnson fight. |
Warren Fahey sings ‘Christening The Baby’
COLLECTION OF CUTTINGS ON BOXING
F769.830994
Made by Bert Cox and includes 76 volumes.
STADIUMS IN SYDNEY
Penrith | Marrickville | Carton | Leichhardt Coronation |
Ryde | Bronte | Auburn | Parramatta |
Sydney | Camperdown | Newtown | Daceyville |
Five Dock | Belmore | North Sydney | Hippodrome |
Note by ‘Solar Plexus’ and from ‘The Boxer’ on Larry Foley
Foley boasted that never once in his career was he knocked down.
For many years subsequent to when the end of his pugilistic rope had been reached, the great ex-champion earned the reputation of being Champion Demolisher of Sydney buildings. He was the person who supervised the pulling down of the old George Street Markets, and also the Benevolent Asylum’s large building on Devonshire Street, to make room for our up-to-date Central Station.
FIST-CUFF FIGHTING
Evening Star 1879
The weekly newspaper quoted a Sydney news report that
‘Two men have been arrested for prize-fighting at Marrickville’
It should be noted that Queensbury’s Rules were introduced in 1862 after the notoriously bloody fight between Heenan and Sayers (refer to song in AFU Joe Watson collection). Fist-cuff prize fighting was a familiar sight on the goldfields despite being against British and therefore Colonial law.
This sporting song is one of several set to the popular song that ‘was all the rage’. It mentions many of the famous Australian sportsmen. J.L. is John L Sullivan and ‘Paddy’ is Paddy Slavin, both prize boxers.
TA RA RA BOOM DEE AY I’ve been reading people’s views Of the high and lofty muse, As a remedy for blues, This sweet ditty I should choose. Some write songs to make you weep, Others send you off to sleep, To my chorus I shall keep, With its’ hidden meaning deep. CHORUS. Ta-ra-ra boom-der-ay, Ta-ra-ra boom-der-ay, Ta-ra-ra boom der-ay, Ta-ra-ra boom-der-ay, Ta-ra-ra boom-der-ay, Ta-ra-ra boom-der-ay, Ta-ra-ra boom-der-ay, Ta-ra-ra boom-der-ay. Flirting is an awful vice, Very wrong, although it’s nice; Listen, girls, to my advice, Don’t indulge at any price. Though you know its wrong, no doubt, With young mashers you go out, Timely warning do not scout, Mind you only talk about, Ta-ra-ra, etc, You might think, to look at me, I’ve been out upon the spree, Making just a little free, Taking something more than tea. Shall I find my home again, Where it is I think in vain, Everything has left my brain, All I know is this refrain— Ta-ra-ra, etc. Russians seem to think it right, If their statesmen aren’t polite, Just to satisfy their spite To blow them up with dynamite. I could mention just a few People here in Australia who Wouldn’t be much loss, it’s true, If a bomb should blow them to— Ta-ra-ra, etc. Sweet salvation bands abound, Still they promenade around, Everybody knows the sound When the drum they madly pound. Booth would bring a fresh supply, But I fear we all should die, When their voices rang on high, Yelling fit to rend the sky, Ta-ra-ra, etc, With the bat and with the oar, Young Australia’s to the fore; Football, too, and games a score Prove they’re sportsmen to the core. Jackson’s fame you cannot quell, Slavin, too, a tale can tell, If he meets the great John L. Paddy’s sure to give him—well Ta-ra-ra, etc. Once on sporting keenly bent, Down to Remington I went, Meaning to make cent. per cent., I backed horses with a gent. Ne’er so lucky have I been, But I felt immensely green, For I couldn’t get a bean, This alone describes the scene SOURCE:Australian Melodist No 20 Mitchell library 784.8/A New version by Bert Royle |
PETER JACKSON AND FRANK P. SLAVIN I am crazy! and I’m cranky! And I’m mad with wild delight, For a cable tells me lanky Peter Jackson’s won the fight From the lanky Paddy Slavin, Our picked pet pugilist— Who’s been knocked out by great Peter With his beautiful black fist. Oh! it must have been a picnic! A glorious, gorgeous sight! For the cable can’t be crooked When thus get black and white. They say that Slavin’s sickly! (Humph! well that’s not Peter’s fault) Though they found the ailment quickly, After Peter gave him ” salt.” Had it happened Paddy Slavin Had dealt Pete the knock-out blow— Now I seriously ask you Would he want another “go?” Would they thirst for satisfaction In another stand-up bout? No! not had Peter Jackson By our Slavin been knocked put. And the fight, at last, is over ! And it’s been a dreadful sell— Now what about the colour line And Sullivan, J. L. Will “Sully” tackle Peter; Say, ” Sully,” are you game ? Perhaps “Sully” thinks that Peter May sully ” Sully’s” name. There’s however one thing certain – Should they meet – well, on the night, The famous J L Sullivan Will know there’s been a fight. SOURCE:Australian Melodist No 20 Mitchell library 784.8/A Specially sung by HARRY ALLNUTT Written by Pat Finn. |
FOOTBALL
Warren Fahey sings ‘When Dally Kicked The Goal’ accompanied by The Larrikins and from their CD of Sporting songs.
“The game seemed to be one for Messenger only. Messenger here, there and everywhere.” – news item.
The image [right] is of H. H. “Dalley” Messenger.
When Dalley Kicked the Goalafter “Casey at the Bat”
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The Whistle May 7th, 1910
Warren Fahey sings ‘I’m A Tolerant Man’
A football song from Melbourne
THE DAY THAT I PLAYED FOOTBALL MY name it is O’Hooligan, I’m a man that’s influential, I work each day and pay my way, My debts are few and small— The other day some lads did come, And filled me up with gin and rum, Then took me out in the boiling sun, To play that game, Futball. I challenged Carlton and Fitzroy, South Melbourne and the Essendon, Port Melbourne, Melbourne and Geelong, I challenged one and all. And now I will footballing drop My leg is broken, so I hop— I’ll open up a doctor’s shop- All through that game, Futball. Still Football is a glorious game, For instance up in Carlton Jack Gardiner is in Parliament And makes a tidy haul. And who can tell but some fine day I’ll be a blooming M.L.A., And will like Gardiner bless the day— I struggled with Futball. SOURCE:Australian Melodist No 20 Mitchell library 784.8/A Written by PAT FINN for FRANK CLARK |
This sporting song, spotlights the South Melbourne Football Club, and also the Melbourne equivalent to the Sydney Larrikin swells.
I’M ONE OF THE SOUTH MELBOURNE I’m what they calls a leary lad, Some say my ” charakter’s” bad; On futball I am fair dead gone, At the game think I’m a don. ‘Tween you and me, though, on my soul, I never yet have kicked a goal; When t’other team begins rough play I sneaks out of the way, CHORUS. “Make a mark!” what a lark, The ” barrackers” shout, “Forward play, hip hooray, Blue me! what yer ’bout ? Go in, South; shut yer mouth Or I’ll stoush you !” But I’m one of the South Melbourne. I like to “gas” in public bars And give my rivals “jars;” A drink I never will refuse When “mugs” will stand me booze; My colours, too, I like to flash, With a ‘chippy’ do a, mash, And tell her I have won a prize At futball—which is lies. Make a mark, etc. Of course I’ve had my photo took, And quite “ribuck” I look, In this ‘ere attitude I stands,. With a futball in my ‘ands. The coloured ones costs me a bit, To the bloke I says now ” Nit;” He sticks me in his window though, So, of course, I gets a show. SOURCE:Written for WILL WHITBURN by LANCE LENTON |
THE “PUSHES” THAT RIDE IN A VAN Now, when the football season in, You can notice each Saturday Whole van-loads of “barrackers,” jolly and bright, .. Who are wending their way to the fray. They go to the various football grounds To watch their favourite team, And there they will yell out during the game, And at the players will scream. Chorus Gaily they sing, and banish melancholy, They roll up strong to do the best they can; They’re out for the day, and mean to make it jolly – They’re a lively set of lads, the ‘pushes’ that ride in a van Amongst then are some nice “rorty” boys, Who work, p’r’aps. as snobs all the week; They “barrack” for followers in loudest tones, And ‘civvy’ a good ‘goal sneak.’ Their language is of the most refined kind, They speak with purest of tongues ; You can bet they’re not consumptive, that’s when You hear them using their lungs, Gaily they sing, etc. With ” barrackers” who hold different views They often will get up a fight; Then p’r’aps, you’ll hear them holloring out, “Nit!” If a “bobby” is coming in sight. When the game’s over they start for home, And praise up the side that has won; They’ll yell comic songs, and hold arguments, And think it all jolly good fun. Gaily they Sing, etc, SOURCE:AUSTRALIAN MELODIST NO 21 Air: “A Motto for Every Man.” Written by Lance Lenton |
THE FOOTBALL PREMIERSHIP Ah! who’ll be the premiers’ ? Yes, that is the question. Who’ll come out on top for the year ’93 ? Will it be the Port Melbourne, The Melbourne, South Melbourne, Or will Carlton this season the leading club be ? Chorus For we’ll joyously bail the victorious premiers, And not lightly regard every failure. Yes, we’ll hail with delight Footballers front in the fight, And acknowledge them dons of Australia. Perhaps the Richmond, the Footscray, Or mayhap St. Kilda, The coveted honor will this year enjoy, Or perhaps ’twill be Collingwood— Lately established— Or the premiers may turn up in “good old Fitzroy.” For we’ll joyously, etc. We’ve a club from each suburb, All playing as seniors; And Essendon, too, seems to be going it strong And what of the old club, The pride of the Pivot- Yes, what of the once muchly-dreaded Geelong ? For we’ll joyously, etc. But who’ll be the premiers ? Yes, that is the question ; And until it’s settled we’ll uneasy be. Yes, who’ll be the champions Of the football blue ribbon— Who’ll be the premiers for the year ’93 ? For we’ll joyously, etc. SOURCE:Words by PAT FINN Music by L. B. CARRICK. |
Katoomba Federals rugby league team cry
‘Blue Mountain Echo’, 31st August 1923
This belonged to the Katoomba Federals rugby league team and the journalist described it as ìa cross between a Maori haka, a bit of Abo., and present-day Aussie. The effect of it is terrifying, and while their opponents are getting over the shock of it the Federals wade in and pile up points ñ that is, when it works well.î The transcription was, he said, ìas near as the writer can get to it.î It might have helped them to the final of the Blue Mountains competition in 1923 but in the match that counted Springwood defeated the Federals by 8 points to 6. [ – John Low]
ìThe emu, the kangaroo, the wallaby, the wombat!
The emu, the kangaroo, the wallaby, the wombat!
Mammy-kaka-wow! Mammy-kaka-wow!
Hee! Hah! Ainít she a beaut!
Wi-pukker-au! Tin opener!
The Federals!î
HORSE RACING
KEN HOWARD of Sydney’s 2UE was one of the most expert exponents of calling horse races. Famous for his catchphrase “London to a brick”, He is also famous for making a risqué tongue-in-cheek send-up of himself and his colleagues. The recording was made “for private use”, and no doubt enlivened many a party in the sheltered early 1950s
Warren Fahey sings ‘Tommy Corrigan’ – a song he recorded from Joe Watson is 1973.
HORSE RACES
This song is in the first person and the voice of a jockey about to enter a horse race in the bush.
THE ROLLICKING BOY With my middle girths slack And my hat hanging back And a stockwhip to crack You can see I’m a rollicking boy, ahoy Make way for the rollicking boy. I can dig in the steel With the spur in my heel Just to make the horse feel That the carrier’s a rollicking boy Make way for the rollicking boy Then I’ll hang over the mane With a very slack rein Like a long-legged crane For you see I’m a rollicking boy Make way for the rollicking boy I’m to race for a crown With young larrikin Brown And we’ll run it in town For you see I’m a rollicking boy Make way for the rollicking boy If I win I must shout For two bottles of stout And will have a good bout For they know I’m a rollicking boy Make way for the rollicking boy How the lassies will stare And the constables swear When they see such a pair For you see I’m a rollicking boy Make way for the rollicking boy Then Homewood I’ll steer And the hills far and near Shall rebound with my cheer Then hurrah for the rollicking boy Make way for the rollicking boy Johnny Blyton once went fightin’ Up in Cooma town He broke his ribs but won the fight And thus he gained renown His horse bucked hard the other day And poor old Johnny threw And Scotchy mended all his ribs With a bottle of bicycle glue! Source: From History of Gundaroo |
Warren Fahey sings ‘The Death of Willie Stone’, a song he collected from the singing of Cyril Duncan, Qld, 1973.
From The Australian Sportsman newspaper 1883.
On Queens Birthday weekend race day at Randwick.
They’ve cantered o’er the springy turf, they’ve mustered at the post
Each backer seeks with eager eye the steed he loves the most
The Birthday breeze has kissed their manes beloved
While the golden sun comes bursting from his ambush up above
And never gave the promise that his glory he would fling
On a struggle that was starker since the days when Charles was King
From a pre race form guide as above.
Hark! Hark! the bell is ringing to the paddock let’s away
Where four and twenty youngsters are saddling for the fray.
SYDNEY RACES
Sydney toast 1819 at old Sydney racecourse (now Hyde Park) 1819. The race was won by Rob Roy.
Pledge from the Cup this first Australian prize
May each revolving year the races bring
That training horses from these sports may rise
Health to the patrons and long live the King.
SILVERMINE
From Tom Ronan’s autobiography ‘Deep of the Sky’ 1962.
I have collected this song on three occasions. Refer Joe Watson transcripts in Australian Folklore Unit for complete text.
At the turn of the straight
A good horse met his fate
And the best of the jockey boys died
Mark the spot well
Where old Silvermine fell
And poor Alec Robertson had his last ride.
Contributor John Robertson recalled a verse his father sang:
The only part of the song as my father sang it that I remember was
They marked the spot well where Silvermine fell and poor Alex Robertson died.
Now come around jockey boys, hang down your heads,
With a tear in your eye, let it fall, we’ll all shed a tear for the one who was near,
He was the dearest and bravest of all.
The following horse-racing song has words and music by Joseph John O’Neill and introduced in the vaudeville show ‘Two Colliers’.
THE MELBOURNE DERBY We represent the jockeys of the famous Oxenham. Whose blooded stock are noted for their speed; They showed the pride of foreign turf to beat them t was hard, Their pace was sure to tell when in the lead. ‘Tis not of one we boast, of good ones we’ve a host, One among the van was Sailor Boy, Who with a lightning pace won the English race, A trophy to Australia hailed with joy. Chorus Whips cracking, jockeys shouting, Cheering on the track. As bounding o’er the hills we go On the homestretch coming back. See how the jockeys love to ride, It fills then with delight; They love to sing and dance as well, That’s why we’re here tonight. We’ve other horses on the turf that equal honours shared, Those stories of success have oft been told; With laurels they were crowned, how English sportsmen started, When they saw the flying scorcher Blue and Gold, And that is not all – we’ve no cause to draw the lie, With the honest old Carbine, In England he displayed a bust of speed; And gathered in the field were the best Of the stock France could yield, But the could not overtake him in the lead. Chorus Whips cracking, jockeys shouting, Cheering on the track. As bounding o’er the hills we go On the homestretch coming back. See how the jockeys love to ride, It fills then with delight; They love to sing and dance as well, That’s why we’re here tonight. SOURCE: Imperial songster 1908 |
I have not been able to ascertain where Blackshaw’s famous course was situated in Goulburn however this fragment remains to encourage further research.
GOULBURN RACES Our fathers then brave optimists Upheld the sport of kings And Goulburn had three meets a year Summer’s, May’s and Spring’s When bushmen bold in legions And many a famous horse Overtook this famed Waterloo On Blackshaw’s famous course. SOURCE:From ‘Goulburn’ by G McAlister |
![Carbine](http://www.warrenfahey.com.au/wp-content/uploads/2014/10/carbine.jpg)
THE MELBOURNE CUP When I was young and thought I knew In racing matters a thing or two, I used to prowl where jockeys herd And tipped them for a sure ” dead bird.” They gave me tips when I tipped them And they told me what would win at Flem— At Flem—at Flem— At Flemington Ahem! Ahem! They put me on To the winner of the Cup at Flemington. I thought it the safest thing on earth, I backed it then for all I was worth; To get long odds I did it quick, And fancied I had the bookies slick ; The odds they laid I gathered up, But that “bird ” was ” dead” for the Melbourne Cup. The Cup—the Cup, The Melbourne Cup, I with a will Had sneaked the till- When the race was run they took me up. When I my eighteen months got through, I felt that backing tips won’t do, So I hit upon a happy scheme, I thought of winners I would dream. I dreamt, and backed them fair and square, But my dream-horse was a night-mare. Not worth a mag Was such dream-nag, So I turned up The Melbourne Cup And backing steeds Flemington. SOURCE:Australian Melodist No 20 Mitchell library 784.8/A Written by PAT FINN. |
“A NEW AND POPULAR BALLAD sung at the concert halls to the rapturous and drunken applause of the enlightened audiences.” Okay, I have to admit that this song, from Colonial Society, has me puzzled. I suspect the Hasses is the name of a regiment or could it be a reference to ‘asses’ or ‘arses’ ? I will keep exploring this one.
THE SYDNEY RACES In the streets of London town, as one takes a quiet tiring, ‘What varied sights and scenes one sees, what vehicles are therein— From ducal trap to donkey cart, with donkeys of all classes; In Sydney we no mokes have got, but quantities of Hasses! Frantic chorus—Tooral looral, haw he haw! -Donkeys of all classes, We ever were, and still will be, ‘The famous Sydney Hasses.. See Scottish Volunteers, dressed up in kilts and trew sirs, When mosquitos are about I wouldn’t be in their shoes. sirs; Old Scratch, himself must snigger out, if near their line he passes, They’d scare a Pai Marire foe, those cockney Highland Hasses. Chorus Old Bailey has a Bishop who, to clutch some loaves and fishes, Self-consecrated, hopes to hold with all sectarian wishes; He is a downy bird of pray, and ravenous his class is, Deck “d out in deacon’s toggery to spout to frantic Hasses. chorus Then take the noble Sydney swells, who tailor’s bills delight in, And fancy that about their smiles the ladies all are fighting; Who,daily ogle barmaids, swear, bet, play, drain many glasses, And are a pleasant loafing set, half puppies and half Hasses chorus A scriptural burlesque drew people nightly flocking : ‘ Twas of a class which folks could not help thinking shocking; With daub’d up scenes, and ill-judged verse, it was the worst of farces, But still ‘tas found an easy job to ‘do’ the Sydney Hasses. We’ve a neat brigade of Blues; if they hear a row or noise , sirs, They arrive just when too late, and take up the little boys, sirs; When they’re arresting wandering goats, each one as bold as brass is, But from fatal fray they sneak away—those Peelerite nice Hasses. chorus Our mob of great unpaid who haunt the Courts each morning, Pronouncing their decisions, all rights of grammar scorning; They’re all there for inebriates—at jaw none them surpasses; But when they’re laying down the law they prove themselves but Hasses. chorus There’s the legal satellites who round the Police Court flock, fin, The proper part of it, for them, no doubt should be the dock, sirs; A. gnat they’d strain a coin to gain; it’s rather odd the masses Should ever be deluded by such seedy, sharkish Hasses. chorus We’ve a famous Lower House, filled with M.L.A.’s who din it With objects murky – they, themselves the greatest “objects ” in it; Their blundering puts the groaning land in straits as huge as Basses; ‘Twixt them and their constituents, which are the greatest Hasses? SOURCE:COLONIAL SOCIETY MAGAZINE 1868/9 *86/1 DIXSON Air: Limerick Races |
The History of the Melbourne and Caulfield Cups
If Australians are ‘sport’s crazy’ then the annual Melbourne Cup must be the ‘high alter’. Each year millions of dollars are ‘punted’, much of it by people who would not normally gamble on ‘the horses’, and the entire event is deeply etched into our national psyche.
The historian, Russell Ward, writing in his groundbreaking book, ‘The Australian Legend’, summed it up: “The race is run over a few, short furlongs, near Melbourne. Actually, it is run across the heart of the Australian people.”
The first Melbourne Cup was held in 1861, the height of the Victorian goldrushes. It attracted over 4000 spectators, an extraordinary number for the fledgling colony. Many came directly from the goldfields of Ballarat and Bendigo, their pockets swollen with gold sovereigns and tiny nuggets. There were seventeen starters racing the two-mile stretch – for the grand prize of 170 pounds and a gold-beaten gold watch. One needs to remember that watches were not that common in Australia at this stage – they only became popular later in the 19th century when Waltham and other manufacturers commenced making them at an affordable price. The ‘Cup’ replaced the watch around this time. The race was organised by the Victoria Turf Club, a breakaway from the earlier Victoria Jockey Club.
The first winning horse in ‘Cup’ history was ‘Archer’. The horse had actually been walked to Melbourne from its hometown stable at Nowra, on the New South Wales south coast, a distance of some 800 km!
The Melbourne Cup is fixed for the first Tuesday in November each year, usually at 3 pm AEST, when most Australians stop to watch the race. It is a public holiday in Victoria and many other Australians take the day off, or a very obvious ‘sickie’. It is held in what is referred to as ‘the peak of the Spring racing season’.
The race is staged at Flemington Racecourse, named after an early butcher in that area. Today’s Melbourne Cup is a very social affair with competition for the most outrageous costume, especially men’s and woman’s hats. There is also a serious ‘social’ side with ‘Fashion in the Field’ contests. Major companies also lease space to erect hospitality tents where they wine and dine their guests. These tents are based on a ‘Siberia’ principle, the closer the track, the higher the status. Some guests receive multiple invitations and literally roll from one tent to another. Companies like Seven Network, PBL, Emirates, Nokia and Champagne House, Moet & Chandon, host tents on a regular basis. Oak’s Day, also called ‘Ladies Day’, is held in conjunction with ‘Cup Week’, on the preceding Saturday.
I have found several songs about the Melbourne Cup including this gem from the Australian Melodist, published in Melbourne by Massina & Co.
THE MELBOURNE CUP When I was young and thought I knew In racing matters a thing or two, I used to prowl where jockeys herd And tipped them for a sure ” dead bird.” They gave me tips when I tipped them And they told me what would win at Flem— At Flem—at Flem— At Flemington Ahem! Ahem! They put me on To the winner of the Cup at Flemington. I thought it the safest thing on earth, I backed it then for all I was worth; To get long odds I did it quick, And fancied I had the bookies slick; The odds they laid I gathered up, But that “bird ” was ” dead” for the Melbourne Cup. The Cup—the Cup, The Melbourne Cup, I with a will Had sneaked the till- When the race was run they took me up. When I my eighteen months got through, I felt that backing tips won’t do, So I hit upon a happy scheme, I thought of winners I would dream. I dreamt, and backed them fair and square, But my dream-horse was a night-mare. Not worth a mag Was such dream-nag, So I turned up The Melbourne Cup And backing steeds Flemington. SOURCE: Australian Melodist No 20, Mitchell library, 784.8/A Written by PAT FINN. |
Mark Twain, the great American writer and possibly the best-known humorist of the 19th century, visited Australia and went to the Melbourne Cup in 1895, observing:
“Nowhere in the world have I encountered a festival of people that has such a magnificent appeal to the whole nation. The Cup astonishes me.”
Winning the Melbourne Cup automatically stamps the horse, rider and of late, owner, a place in racing history. It typifies the ‘cult of celebrity’. That said, champion and duffer alike have won the Cup and some of our most celebrated horses made their popular names as winners, particularly Carbine, Bernborough, Tulloch, Phar Lap and Gunsynd.
To appreciate Australia’s fervor for horse racing spectaculars one must consider the role of the horse in Australian history. In such an expansive landmass, and a 19th century economy reliant on rural endeavors, particularly sheep and cattle farming, the horse was indispensable. We relied on the horse for transport, work skill and mateship. The first horses were imported with the First Fleet and must have appeared extremely daunting to the indigenous population.
The penal settlement of Botany Bay used the horse for hard labour but especially to carry the cavalry soldiers to ‘far-flung settlements’ such as Parramatta. The military also used the horses for gambling and Sydney’s famous Hyde Park started life in as a stable and in 1819 as a racetrack!
SYDNEY RACES
Sydney toast 1819 at old Sydney racecourse (now Hyde Park) 1819. The race was won by Rob Roy.
Pledge from the Cup this first Australian prize
May each revolving year the races bring
That training horses from these sports may rise
Health to the patrons and long live the King.
Here’s another racing song from the early colonial period. I found this in the Mitchell Library (Dixon 86/1) and published in the Colonial Society Magazine (1868/9). Some of the references point to the horse-mounted Regiment ‘Hasses’ of the Scottish Volunteers.
THE SYDNEY RACES In the streets of London town, as one takes a quiet tiring, ‘What varied sights and scenes one sees, what vehicles are therein— From ducal trap to donkey cart, with donkeys of all classes; In Sydney we no mokes have got, but quantities of Hasses! Frantic chorus—Tooral looral, haw he haw! -Donkeys of all classes, We ever were, and still will be, ‘The famous Sydney Hasses.. See Scottish Volunteers, dressed up in kilts and trew sirs, When mosquitoes are about I wouldn’t be in their shoes. sirs; Old Scratch, himself must snigger out, if near their line he passes, They’d scare a Pai Marire foe, those cockney Highland Hasses. chorus Old Bailey has a Bishop who, to clutch some loaves and fishes, Self-consecrated, hopes to hold with all sectarian wishes; He is a downy bird of pray, and ravenous his class is, Deck “d out in deacon’s toggery to spout to frantic Hasses. chorus Then take the noble Sydney swells, who tailor’s bills delight in, And fancy that about their smiles the ladies all are fighting; Who, daily ogle barmaids, swear, bet, play, drain many glasses, And are a pleasant loafing set, half puppies and half Hasses chorus A scriptural burlesque drew people nightly flocking: ‘ Twas of a class which folks could not help thinking shocking; With daub’d up scenes, and ill-judged verse, it was the worst of farces, But still ‘tas found an easy job to ‘do’ the Sydney Hasses. We’ve a neat brigade of Blues; if they hear a row or noise , sirs, They arrive just when too late, and take up the little boys, sirs; When they’re arresting wandering goats, each one as bold as brass is, But from fatal fray they sneak away—those Peelerite nice Hasses. chorus Our mob of great unpaid who haunt the Courts each morning, Pronouncing their decisions, all rights of grammar scorning; They’re all there for inebriates—at jaw none them surpasses; But when they’re laying down the law they prove themselves but Hasses. chorus There’s the legal satellites who round the Police Court flock, fin, The proper part of it, for them, no doubt should be the dock, sirs; A. gnat they’d strain a coin to gain; it’s rather odd the masses Should ever be deluded by such seedy, sharkish Hasses. chorus We’ve a famous Lower House, filled with M.L.A.’s who din it With objects murky – they, themselves the greatest “objects ” in it; Their blundering puts the groaning land in straits as huge as Basses; ‘Twixt them and their constituents, which are the greatest Hasses? (Tune: Limerick Races) |
Images of the role of the horse are familiar to all Australians – including bolting bushrangers on rearing horses; Cobb & Co coaches like the mighty ‘Leviathan’ which boasted 22 horses; horse-drawn wagons headed for the goldfields; young children clip clopping to school on huge steeds; determined yet gentle draft-horses dragging ploughs over stubble fields, and paintings like Tom Robbin’s ‘Bail Up’ canvas with its alarmed horses curiously observing the shenanigans.
It was ‘Carbine’ who really changed the fame of the Melbourne Cup by bringing the race to a national and international attention. In some ways it was also ‘Carbine’ who provided the yardstick that measured subsequent horses, including Phar Lap. This outstanding bay mare started 43 times for 33 wins, six seconds and three thirds — running out of a place only once in his career. ‘Carbine’, a New Zealand thoroughbred, holds the record for the most amount of weight carried to victory – 10 stone 5 pounds (66 kg), beating a field of 39 starters in the 1890 Cup, and setting a new race record time. He carried 53 lb (24 kg) more than the second placed horse, Highborn. Jockey Bob Ramage rode him. The remarkable win surprised the industry and public and was celebrated in song and poetry, most notable ‘When Carbine Won The Cup’. Carbine died June 10th 1914.
‘Phar Lap’, a direct descendant of Carbine, was another horse that entered our folklore. This giant of a horse started 51 times for 37 wins, three seconds, and two thirds, and was the third highest stake-winner in the world at the time of his death, winning $66,738, the bulk of it in a short two-and-a-half years. The Sydney jockey J.E. Pike won 27 races on ‘Phar Lap’. The main folklore surrounding Phar Lap is connected with his death in America, on April 5, 1932, after his stunning win in San Francisco at Agua Caliente (film of this race and additional Phar Lap history is available at the Museum of Victoria site (www.museum.vic.gov.au). Like boxer Les Darcy, who also died in America’, he participates in conspiracy theories, mostly connected with poisoning. Some say both Darcy and Phar Lap died of ‘broken hearts’.
In Phar Lap’s case the fact that two USA autopsies failed to clearly identify the cause of death added to these suspicions. The feeling was that Phar Lap had flown too high and that ‘the Americans’ had sought to cut him down is an example of our ‘tall poppies’ mythology.
As a post-script: in 2000, equine specialists examined the two autopsy reports. They concluded that Phar Lap probably died of an acute enteric disease of bacterial origin from eating lead-arsenic sprayed foliage or damp feed. It was not until the 1980s that the infection was formally identified, as diagnosis in the 1930s would not have been possible.
Not only is the Melbourne Cup considered one of the world’s most challenging horse races, it is also one of the richest with total prize money for 2005 hitting $AU5.1 million. It is now the richest handicap in the world, worth some $4 million and attracts around 100,000 people to Flemington, with an increasingly popular international appeal since the win of Irish-trained Vintage Crop in 1993, with winners automatically becoming part of Australian racing history.
The other major ‘Cup’ is the Caulfield Cup, also staged in Melbourne. The first Caulfield Cup was run in 1879 and the first horse to win was Newminster. The Caulfield Cup, a group one race, is one of Australia’s toughest handicap races. It is run over 2400 meters and is an important lead-up to the Melbourne Cup. The race prize money is worth over 2 million dollars.
The Caulfield Cup is also associated with folklore and, in particular, the death of famed jockey Alec Robertson, in the 1890s. I recorded the following song off Cyril Duncan, Hawthorn, Brisbane, in 1973.
THE DEATH OF ALEC ROBERTSON Go tell my dear old mother, Who resides Down in Geelong, That I’ve been badly injured, By those jockeys who rode wrong. My head does pain, my side does ache, I feel myself insane, If God would spare me just to see My dear Mother once again. But late that night she got a fright, The news to her did come, The was there I do declare, It was from her own dear son It was the railing horse that came down first, That caused a nasty fall And followed close by Silvermine, Who stumbled over all. The doom was caused by Vespier As there poor Alec lay And as he turned his head His poor face bled These words to me did say Go tell my dear old mother, Who resides Down in Geelong, That I’ve been badly injured, By those jockeys who rode wrong My head does pain, my side does ache I feel myself insane If God would spare me just to see My dear Mother once again. Now Mabber’s rider’s gone for all This day on Randwick Course In trying to win the Tattersal’s Cup On his famous old black horse. Recorded from Cyril Duncan, Hawthorn, Brisbane, in 1973. |
Tommy Corrigan, and Irish-born jockey, is also associated with song and poetry. He was an outstanding rider and met a tragic death in a horrific steeplechase accident in 1894. I had the following song from the singing of Joe Watson, Caringbah, NSW, in 1974. Joe had learnt the song from a schoolmaster who had been a friend of Corrigan.
DEATH OF TOMMY CORRIGAN Come friends just listen to me, and a story I will tell, Concerning poor Tommy Corrigan, the jock you all know well. The flag was dropped and off they went with Dondi in the lead, And Corrigan on Waiter, come on with mighty speed. He was fast approaching Dondi, as they rounded at the turn. When waiter came down with a crash and seemed to overturn, Poor Corrigan was beneath him, with a deep gash in his head, And everybody on the course made sure that he was dead. I’m sorry that I let him ride, good Mr Vargo said, But alas, alas, it was too late, for Tommy lay there dead Oh, they bore him gently from the spot, into the doctor’s room, But alas, alas, it was too late, poor Tommy met his doom. So if you always loved him, and followed him through life, I hope you won’t forget to help, his sorrow-stricken wife She has lost a faithful husband, there’s been offers to console, And may the great Almighty God, have mercy on his soul. Tune: Wearing Of The Green |
His death was commemorated by none other than A B Paterson in his poem:
TOMMY CORRIGAN You talk of riders on the flat, of nerve and pluck and pace— Not one in fifty has the nerve to ride a steeplechase. It’s right enough, while horses pull and take their fences strong, To rush a flier to the front and bring the field along; But what about the last half-mile, with horses blown and beat— When every jump means all you know to keep him on his feet. When any slip means sudden death—with wife and child to keep— It needs some nerve to draw the whip and flog him at the leap— But Corrigan would ride them out, by danger undismayed, He never flinched at fence or wall, he never was afraid; With easy seat and nerve of steel, light hand and smiling face, He held the rushing horses back, and made the sluggards race. He gave the shirkers extra heart, he steadied down the rash, He rode great clumsy boring brutes, and chanced a fatal smash; He got the rushing Wymlet home that never jumped at all— But clambered over every fence and clouted every wall. You should have heard the cheers, my boys, that shook the members’ stand Whenever Tommy Corrigan weighed out to ride Lone Hand. They were, indeed, a glorious pair—the great upstanding horse, The gamest jockey on his back that ever faced a course. Though weight was big and pace was hot and fences stiff and tall, “You follow Tommy Corrigan” was passed to one and all. And every man on Ballarat raised all he could command To put on Tommy Corrigan when riding old Lone Hand. But now we’ll keep his memory green while horsemen come and go; We may not see his like again where silks and satins glow. We’ll drink to him in silence, boys—he’s followed down the track Where many a good man went before, but never one came back. And, let us hope, in that far land where the shades of brave men reign, The gallant Tommy Corrigan will ride Lone Hand again. AB Paterson |
There have been many popular songs composed and popularized about horses and horse racing including The Goondiwindi Grey (about Gunsynd), Mandrake (about Tex Morton’s buck jumping show horse), Bridle on the Wall (old C&W favourite), Whip & The Spurs (about Lance Sculthorpe), to name just a handful. There are also many poems with Paterson’s Man From Snowy River being the most famous Australian example.
Horse racing was considered a bushman’s recreation and the country race meetings were a major attraction. Shearers, drovers, squatters and just about every other type of bushman would descend on the race meetings. Many the season’s cheque jumped into the bookie’s bag. The best example of the bushman at the races is the song ‘The Big Gun Shearer’ where he sings:
He shouts for everyone ‘round the place,
Then he’s off to Randwick for the big horse race;
He dopes himself on backache pills,
Talks high tallies and tucker bills.
When his money’s gone and he’s sick and sore,
The barmaid’s looks aren’t kind no more,
His erstwhile friends don’t give a hoot,
And he’s back to the bush, per what? Per boot!
There’s a tale of Fred Ward, aka ‘Thunderbolt the bushranger’, ‘bailing up’ a coach of German musicians in the New England region of NSW, and sympathizing with them that they were “only poor musicians” – but he wanted money for the Tamworth Races. He took their money but, according to legend, told them he would return it if he won at the races! Apparently he backed the winner and left their money at the post office for collection.
When I recorded Joe Watson is the early nineteen seventies he told be about a race at Booroowa where there were only two jockeys – a real two-horse race – and both of them had been instructed to win. Apparently the horses and riders left the starting post and disappeared around the bend but didn’t reappear. Officials marched to the bend and found them both, dismounted, arguing, as neither wanted to win!
Around the time of Federation city race meetings had become extremely fashionable. They were an opportunity for city people to dress up in their finest and, like the horses they so much admired, strut about the field. Betting was also seen as a working class ‘sport’ and there were several dedicated newspapers such as ‘Sporting Life’. Newspapers were also carrying horse news and weekly race results. It is probably no surprise that Tattersall’s of Melbourne was the world’s first automated tote system. Considering the number of illegal ‘SP’ bookies operating in the first half of the 20th century it was probably a good move.
Horse racing has also entered into our vocabulary, especially our colloquial ‘slanguage’ – “the horse ran so wide it knocked a pie out of the mouth of a punter in the grandstand”. Gamblers are ‘punters’ or ‘betters’, people who scour the racetrack grounds for possible winning tickets are said to be “emus”, and so on. There is also quite a lot of rhyming slang used in association with the ‘sport of kings’ eg ‘hickey-hockey’ for jockey, ‘pie and sauce’ for horse.
Superstitions, especially good luck charms are also widespread in the racing fraternity. Punters will wear their ‘lucky tie, suit or hat, carry a good luck charm like a bracelet, gem, marble etc. Sometimes these are associated with a lucky ‘colour’ – usually based on a past win whilst wearing that particular item or colour.
© Warren Fahey
![](https://warrenfahey.com.au/wp-content/uploads/2023/07/rowing_championship.png)
Australians are often thought of as ‘sports crazy’. I suspect this reputation grew from the fact we had not fought in any great wars, had inherited no epic tales, had no fairy kingdom and, possibly, didn’t want to glorify our convict system so the only option was to glorify ordinary man and women who achieved extraordinary accomplishments. Sport was the obvious and possibly only choice. Our first international recognition came from sport when sculler, Edward ‘Ned’ Trickett, defeated James H. Sadler on the Thames on the Putney-Mortlake course in 24 minutes, 36 seconds and became the first Australian to win a world championship in any sport. Trickett, the son of bookmaker George Trickett, was born in 1851 at Greenwich, on the Lane Cove River, a northern Sydney suburb. Between 1871 and 75 he competed in various races and considered the best sculler in the colony. In 1876 he was taken to England by James Punch, a Sydney innkeeper and former sculler, where he challenged for the world championship. He must have had a good idea he would win because he took with him over 10,000 pounds from a Sydney betting ring which he placed on himself at odds of mostly 2:1. The booty was a massive windfall – one thousand pounds was roughly the equivalent of ten years wages. Trickett also won a side-bet with his opponent and was presented with a State Prize of nine-hundred pounds on his return to Sydney. He became the licensee of Trickett’s Hotel on the corner of Pitt and King streets, Sydney, where a rolling keg crushed his hand and amputated a thumb. He relocated to Rockhampton, lost his fortune on a shady mining investment and returned to work in Sydney on the wharves. He died a pauper.
Sculling was the biggest sport in Australia for most of the sixty years before World War 1 and drew large crowds whenever a contest was held. Sydney’s Hawkesbury and the northern rivers region, around Grafton, were the main centres. The Melbourne University Boat Club, established in 1859, is the oldest rowing club in Australia.
This ‘crow’ from The ‘Native Companion Songster, Brisbane, 1889, reminds us of Trickett’s great victory.
The Blast of the Trumpet
You may say it is blow, but I know I can show
And you’ll find all denial a failure,
That, taken all round, there is not to be found
Better men than we breed in Australia.
The old country we lick it when playing at cricket,
At football; we hold quite our own.
We have sent but one team (of footballers I mean)
And the way to make play we have shown.
Of course you will say, in the usual way,
The colonials are nothing but ‘blow’,
But those who impeach us should first try to teach us
In what line of sport we are slow.
At sculling we all know the world gives us best,
And, as daisies compared to a dahlia,
When gold is the theme no land ever seen
Can equal the one called Australia.
Trickett was eventually defeated by the Canadian rower Ned ‘The Boy In Blue’ Hanlan in England in 1880.
It is often difficult for us to understand how prudish some Australians were in the Victorian era. Playing sport would seem an innocent pastime but apparently it brought out the wowsers. This parody, set to the tune of ‘When Johnny Comes Marching Home’, was published in the Freeman’s Journal (Sydney), 13 June 1874, which would coincide with Trickett’s races on the Nepean River, near Penrith, New South Wales. The song satirises the double standards of the local clergy.
Nepean Boat Song
Who the Sabbath day profane, Haha! haha !
And the parson’s feelings pained, Haha ! Now who !
Who rowed a boat and scandal gave,
Which lately made the parson rave ?
Haha ! you wicked Penrith lads,
Yon can’t deny ’twas you.
Who on Sunday morn sells meat, Haha ! haha !
And at billiards oft doth cheat ? Haha ! what’s that ?
Who, sinning thus, still holds a place
Amongst those who wear a holy face ? ‘
Haha !’ cry out the Penrith lads,
Just ask the parson that !’
Who on horseback goes to pray,
Haha ! haha !
Save when the bishop comes the way;
Haha ! who’s that !
Who keeps employed at every call,
On Sabbath day, his servants all,
‘ Ha ha !’ cry out the Penrith lads,
Go, ask the parson that.’
Who lends horses out for pay Haha ! haha !
After Church on Sabbath day, Haha ! what next ?
Who shuts his eyes at this grave breach
Of what true Christian men do teach ?
‘ Haha !’ cry out the Penrith lads,
‘ That makes the parson vexed.’
Bill Beach
Bill Beach was one of Australia’s most-loved scullers. Born 1850, he grew up at Dapto, in rural New South Wales, where he won local competitions at Kanahooka Point. He then went on to win
colonial races at Parramatta, Woolloomooloo, and then defeated Trickett. In 1884 he challenged, and won, against Ned Hanlan on the Parramatta River, thereby becoming world champion. In 1886 he went to England and won the final of the International Sweepstakes on the Thames for a prize of 1200 pounds. He then defended his title against Gaudaur on the Thames, and won. Next he defeated Ross for 1000 pounds and retained the championship, returning to Australia in December of that year. He was welcomed as a hero and in song.
Tibbs Popular Songbook, published approximately 1887 to celebrate Bill Beach’s victorious return to Australia . It is a parody of the popular song ‘Our Jack’s Come Home Today’. I have not been able to work out what ‘Cuzzo’ refers to, possibly a ship. Jacob Gaudaur mentioned was north American champion. Hanlan’s ‘Tomki’ refers to the steamer that transported the rower back from Lismore.
Our Oarsman, Bill Beach
It seems but days, still months have flown since ‘Cuzzo’s’ sails unfurled,That bore away our William to wake the aquatic world,
They woke up in old England with admiration’s cry,
When they viewed Australia’s oarsman and Ned Hanlan’s ‘Tomki’.
Our Bill is home today, our Bill is home today,
His words proved true – he’s put them through,
Our Bill is home today.
at last they give you credit Bill, you beat the Yankee twice,
They knew that you could gruel him too upon old England’s ice, He couldn’t think you’d w\venture Bill and thus the challenge sends: He wasn’t there, he didn’t dare, to meet you on the Thames.
Will you forget the Thames Bill, forget in years to come,
The laurels you so nearly lost that Gaudar nearly won,
Will you forget the Thames, Bill, that covered you with glore,
The greatest sculling struggle that old England ever saw.
You’ve placed Australia highest Bill, with your aquatic fame,
We are by far the prouder still of your unblemished name.
That heart of flint still harder grew our honour to defend, T
hat heart has easily melted at the parting of a friend.
The news came out from England Bill, which riffled all my ire,
They said that you would sling the sculls and intended to retire,
But still you’ll hold the championship and beat all if you can,
You’ll show that you’re Australian Bill, and lose it like a man.
In 1888 in another race with Hanlan on the Parramatta River for 500 pounds a side, he notched up another victory, finishing with three lengths to spare. Over 5000 onlookers cheered his win.
The Clarence River on the New South Wales north coast is a mighty river and ideal for sculling. The area produced equally mighty rowers including Michael Rush
Michael Rush, born 1844, was an Irish Australian sculler celebrated for his one-on-one competitions against champion opponents, which drew vast crowds of spectators.
His interest in the sport of rowing dominated Rush’s life, and hampered his prosperity. He repeatedly travelled from his Clarence River home to compete for large money prizes on Sydney’s Parramatta River, neglecting his business affairs. Rush became Champion Sculler of Australia in 1873, and defended his championship several times, not always successfully. Rush succeeded on a few occasions in having the Championship venue moved from Sydney to the Clarence River, the first to shift the focus of sculling away from the capital city. The locals were justifiably proud.
Clarence and Richmond Examiner and New England Advertiser
(Grafton) 23 June 1877. By W. H. O’Connor.
Richard ‘Dicky’ Green mentioned in the song is considered the ‘father of Australian rowing’. Born in 1836 at Greenwich on the Parramatta River. No sculler rowed more races than he did. He has claims to have rowed is some 22o contests (of which 123
were sculling races) in all types of boats from 14ft. dingoes and waterman’s boats to pair-oar, fours and waterboats, and lost only about 25 out of the lot.
Our New Aquatic Son
Come all ye Clarence River lads And list to me awhile ;
I hope that what I’m going to sing, Will cause you all to smile.
For Rush has gone to to Sydney His training to begin,
And on the thirtieth of June
The championship to win.
Then give three cheers for Michael Rush, And praise him all we can.
For we’ll be true. like boys of blue,
To our Clarence River man.
Yes, Rush has gone to Sydney, Where daily he is seen Progressing there most favourably, Being trained by Richard Green. When he comes home victorious, How happy we will be,
We’ll join together in a song, And sound the Jubilee.
He represents our river,
To him we’ll truly stand ;
He’s the pride of every Clarence man, A credit to our land.
When he returns to RockyMouth,
Our flag will be unfurled,
We’ll welcome in our midst again
The Champion of the World.
We won’t forget another man,
Whose rowing we have seen,
A veteran true and tried is he
His name is Richard Green.
He sticks to Rush through thick mid thin Wherever he may go.
Then let us drink his health in wine, And freely let it flow.
Then rise up now my Clarence boys, Let our loyal pluck be seen
We’ll raise a testimonial
For Rush and Dicky Green.
They did honour for Australia When e’er ’twas to be done, And we will greet them gaily When the championship is won.
James Stanbury.
The World’s Sculling Championship won by James Stanbury on the Parramatta River, on Saturday, July 23rd, 1905
James (Jim) Stanbury , was born 1868 on Mullet Island on the Hawkesbury River, New South Wales and was the successor of John McLean in the rowing championship of the world. In 1887 he won the first prize in the Lake Bathurst handicap, but was beaten the same year by Christian Neilson in a race over the Parramatta championship course. The next year he defeated Julius Wulf, but was himself defeated by Searle in a very toughly fought contest. In 1890 Stanbury twice defeated O’Connor, the American champion, who the year previously had been beaten by Searle on the Thames, in each case over the Parramatta course. On April 29th he defeated John McLean, another New South Wales sculler, over the same course for the championship of the world. (Wiki)
Poem by P F Collins, aka ‘Paddy the Poet’
Champion Stanbury
The news flew fast by electric force,
Far over the land and sea,
Of the great boat race on Saturday,
That was won by Stanbury.
Australia’s sons from shore to shore
Now mention his name with pride,
For a more brilliant race was never rowed
Since old Father Adam died.
From start to finish Jim held the lead
By strength and skill combined;
And Towns, with every muscle strained,
Came bravely on behind.
The cheers that greeted him that day
Will be remembered for evermore,
From thousands of men and women too,;
That were assembled along the shore.
And Towns likewise was loudly cheered
As he grasped the hero’s hand;
“Shake Jim,” said he, “you have defeated me.
You are a credit to this land;
I have done my best, honest and square,
I could do nothing more, I vow;
Long may you live, Australia’s son,
You are the world’s champion now.
And may you ever keep the title, Jim,
No matter who you may meet,
For young Australia’s sake, my friend,
May you never know defeat.
And may Australia in days to come
Raise other men like you,
That will always bring the championship
‘Beneath the flag of bonny blue.”
Success to you brave Stanbury
Wherever you may roam,
Throughout Australia, or other lands
So far away from home.
And when you go to Canada,
May you weather all the gales,
And bring fresh laurels with your back
To sunny New South Wales.
Henry Searle, born at Grafton, in 1866, was another Clarence River champion. He claimed his world championship in 1888 on the Parramatta River, defeating the then world champion Peter Kemp. Tragically Searle contracted typhoid fever when sailing back from England a year later. He died three weeks later in December, 1889. Over 40,00 people turned up to mourn him in Melbourne and 170,000 when his body was returned to Sydney.
Clarence and Richmond Examiner (Grafton) 14 Dec 1889
Death of Henry Searle. – Feelings of the most profound regret were manifested at the announcement on Tuesday morning last, that Henry Searle, the renowned sculler and champion oarsman of the world, had breathed his last at Melbourne. Although to some extent, most were prepared for the event, yet few incidents elicited such universal feelings of heartfelt sorrow, as were evinced at the sad news of the champion’s untimely end. Doubtless these manifestations would be intensified by the fact of this city being the birthplace of the young man, who, in a comparatively short period, made himself famous in the aquatic world, and it was also here that he first acquired notoriety in sculling. But few expected that when a few months ago he left these shores in the bloom and vigour of youth, and won his glorious victory on the Thames, he would have been stricken down by malignant disease, and cut off before he could return to his native soil. Searle first appeared prominently as a sculler at the Carnival at Mountain View, on the Clarence, two years ago, and from that period his rapid elevation to the highest position in sculling notoriety is well known. Few (if any) scullers had so brilliant a record.
Brisbane Courier 31 Dec 1929.
Death of Henry Searle. Champion sculler
Australia’s son has gone to sleep, O’er him the cloak of death is spread, And people of a nation weep,
For Henry Earnest Searle is dead. Flow sweet, Clarence, on your way, Where the sombre wattles wave,
Ah! bush birds sing your saddest lay O’er our loved lost idol’s grave
The following anonymous song was circulated after his death.
Henry Searle
See the colours I have here, To colonial hearts so dear—
Australia’s colours! —our late oarsman’s, too— For our oarsman, dead and gone,
With great brilliancy has shone,
MISCELLANEOUS
Warren Fahey sings ‘I’m Forever Playing Two-Up’, a song learnt from his father, George Fahey.
No visit to a major sporting stadium in the twentieth century was worth tuppence without the consumption of a hot saveloy in a roll. Street sellers had portable stoves which kept the snags hot and they would yell out their wares: “get ’em hot, get ’em now, hot saveloys”
SAVELOY One evening at the hotel Tea & Toast I was there, I declare I went to have some supper with the host So I ordered up a penny saveloy And when they brought it up it looked a treat Full of meat, nice and sweet When I put that thing away There was something seemed to say You’ll be sorry, let us pray, saveloy Saveloy, I thought I saw you breathing Saveloy, you’re skin you’ll soon be leaving When you are lying on the coffee stall Saveloy, you naughty boy Last night I saw you walking In my sleep I thought I heard you talking Saveloy, ship ahoy, you’re a naughty boy Nasty, dirty little saveloy. source: By Fred Bluett. Tune: Hold Your hand Out Naughty Boy Imperial Songster 1909 |
Call of the hot dog man at sydney stadium.
a loaf of bread
a pound of meat
and all the sauce that you can eat
get your hot doggy
hot doggy hot doggy.
ROWING
Searle was one of our internationally successful oarsmen and Australia seems to have ruled the world of skulling.
.
AUSTRALIAN SPORT Australia has cause to be proud of her sons Who boast of the land of their birth, Which even the stranger is forced to confess The dearest of spots upon earth. Then forward Australia, you’re still at the fore, And long may your praises resound, For I ask you again, though I ask you in vain, Oh! Where can her equal be found? Chorus (after each verse) For I ask you again, though I ask you in vain, Oh! Where can her equal be found? The Yankee O’Connor will soon on the Thames His American colours unfurl; And he’ll find a big contract he’s taken in hand To down the Australian lad Searle. Good luck to O’Connor, but Searle is our man, May his effort with victory be crowned, For we’ll find at the finish the ‘cornstalk’ in front – Oh! Where can his equal be found? In cricket, Australia has little to fear, She can well hold her own in the field; What with Murdochs and Moses and Horans and Boyles, Those ‘ashes’ she’ll ne’er have to yield. The Giffens, the Turners, Blackham, and Jones, And Drysdales are cricketers sound; Then I ask you again, though I ask you in vain, Oh! Where can their equals be found? When the mittens are mentioned the gumsucker smiles, For at these you will find we’ve no myths; What care they for Sullivans, Corbett, or Goode, The Kilrains, the Mitchells, and Smiths? We’ve Jacksons and Goddards and Slavins who can And will set to work round after round; Then I ask you again, though I ask you in vain, Oh! Where can their equals be found? SOURCE:Words Pat Finn and sung throughout Australia with great success by Frank Clarke |
Australia’s first internationally successful sportsmen, and they were ‘men’, were skullers. Oarsman, Bill Beach, was a superhero and he was followed by Henry Searle..
.
SEARLE See the colours I have here, To colonial hearts so dear— Australia’s colours! —our late oarsman’s, too— For our oarsman, dead and gone, With great brilliancy has shone, He was upright as an oarsman, staunch and true In this weary life of toil, In life’s trouble and turmoil, His good qualities how fondly we’ll unfurl. He was both our boast and pride— This Australian lad who died— Australia’s champion oarsman, Henry Searle. Not alone the Southern Cross, But the whole world mourn the loss Of the very greatest oarsman that drew breath—- Who with firm and steady grip— Ably held the championship Till he met that universal conqueror, Death! Who came in with cruel hand, Causing sorrow in our land— But our lov’d one’s name with honour we’ll entwine, For, alas! he’s dead and gone, And all nations sadly mourn Australia’s champion oarsman, Henry Searle. Here before our very eyes Famous champions will arise; As to who will wear the mantle laid aside, But we only know too well, There’ll be no one to excel Our dear Australian sculler who just died. |
TAKE THIS SAUSAGE TO MY MOTHER Take this sausage to my mother, Far across the deep blue sea, It will fill her mouth with pleasure, She’ll be glad to hear from me. I don’t know its composition, What its history may be, Though it may be all nutrition, It’s a bag of mystery. CHORUS. Take this sausage to my mother, Far across the deep blue sea; Should she ask you what it’s made of, Tell her that’s a mystery. Take this sausage to my mother, Tell her that it comes from me; Ask her if she’d like another, As a relish for her tea. SOURCE:AUSTRALIAN MELODIST NO 21 Parody: “Take This Letter to My Mother” |
SYDNEY GAME
a menagerie race where an animal had to run (with person) for 75 yards. A dog came first and a goose second.
A MELODY RACE
the first 50 yards on hands and feet the second 50 yards backwards, the third anyway you liked.